Angelina Jolie's Greatest Movies of All Time
Angelina Jolie isn't just a famous actress, she's one of those rare modern stars who evokes the aura of glamor from classic movies (she comes from Hollywood royalty doesn't hurt; her father is Jon Voight). Her off-screen life is as publicized as her on-screen exploits, and her most famous films derived much of her success from audiences who wanted to see her rather than simply tune in to the latest. delivery of the franchise. By establishing this kind of public persona, Jolie has managed to score numerous blockbusters that have ensured that her fame is not in danger of evaporating. These hits span a wide variety of genres, from family flicks to challenging dramas to exciting action movies where Jolie blows up big things.
This level of versatility ensures that no matter what your
interests are, chances are Jolie has starred in a movie you like. Such
prowess also explains how Jolie's films have managed a combined $6.4 billion
at the worldwide box office. Much of that impressive haul comes from his
highest-grossing movies of all time. It must be said that some of these
features were unsuccessful, and some failed to turn a profit on particularly
hefty budgets. Yet in Jolie's biggest films, one of her begins to appreciate
the qualities in her that have made her such an irresistible rarity among
21st-century movie stars. Here is a selection of Angelina Jolie's biggest
box office hits. Note: Using this criteria means we're missing out on some
of the roles she's most famous for, like cult favorite. Girl, interrupted.
We have also left completely animated movies like Kung Fu Panda.
Mistress of evil
A little over five years after the first Maleficent, Disney released
Maleficent: Mistress of Evil, which aimed to chronicle the new exploits of
this reworked version of the classic Disney villain. The feature reached a
different market than its predecessor. For one thing, the film was opening
in October 2019, when other major family films were also released. Compare
that to the original Maleficent's May 2014 release date, which had a lot
less family movie competition to contend with. A prolonged gap of five years
between films did not help.
In the end, Maleficent: Mistress of Evil did well overseas, where it earned
nearly $400 million. This was lower overseas loot than the first
installment, but it was still a good gross. Domestically, however, that was
an entirely different story, with Mistress of Evil earning less than half of
its predecessor with just $113.9 million. That was even behind the $114.7
million domestic gross of that same year's famed Disney box office bomb
Dumbo, and that movie didn't have Jolie's famous face to help it.
In
the end, Maleficent: Mistress of Evil made a hefty $489.3 million worldwide
on a budget of $185 million. While domestically at least it seemed that
Jolie's portrayal of her character had exhausted her welcome, the strong
global tour reaffirmed Jolie's appeal with international audiences.
Jolie
was one half of a dynamic duo in Mr. and Mrs. Smith.
MR. and Mrs. Smith
MR. And Mrs. Smith was a throwback to a time when the presence of a
celebrity couple was enough to get people to buy tickets. Although today
it's the presence of a Marvel Studios or DC Comics logo that draws people to
multiplexes, over the years, there have been plenty of examples of movies
headed by lovesick stars becoming blockbusters. So it was with 2005 SR. And
Mrs. Smith, who starred then lovers Angelina Jolie and Brad Pitt. The press
couldn't get enough of this duo and neither did the public.
All that passion meant pairing them for the SR. And Mrs. Smith was destined to be a box office success. Still, no one could have predicted that SR. And Mrs. Smith would end up being just as big as she was at $486.1 million worldwide. The attractiveness of Pitt and Jolie was one of the main reasons for the success of this film. However, its emphasis on big action scenes and sultry romance ensured it had plenty of appeal to viewers who weren't enamored of Pitt and Jolie's real-world escapades. Not many of the modern blockbusters stem from the success of her off-screen romances, but SR. And Ms. Smith showed that this element could still drive ticket sales in the modern world (a theory called into question by the 2003 Ben Afflect k-j. The failure of vehicle and box office Gigli).
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